Ru Freeman

Over at the Huffington Post interviewing Jen Percy on her research for her book, Demon Camp (Scribner). Her account of Caleb Daniels and his battle with PTSD, has been optioned by Paramount. . You can read the full interview here. Below, an excerpt.

RF: You met Caleb Daniels, the main character in this work, in 2008, when he had transformed from being a soldier trained and off at war to being a civilian un-trained at coming home, and you were an MFA student at Iowa. How difficult was it to build a sense of trust in him that you would be able to tell a story that was true to his experience?

JP: With Caleb the trust was immediate because that’s how he lives his life: by fate and intuition. He thought our lives intersected so that I could tell his story. But I’m not sure I’ve ever been faced with that question directly from a subject. Either they talk to you or they don’t. Caleb’s idea of himself is different than the way others perceive him. Which is true of all of us. But, for example, he told me he thought he was like Achilles from the Iliad taking revenge for the death of Patroclus (who we can understand as his best friend Kip Jacoby). But Caleb didn’t say the Iliad or Achilles, he said the movie Troy and the actor Brad Pitt that plays Achilles. So in many ways, there was his narrative of himself and there were my observations of him making sense of himself, and then there were my interpretations of these narratives. I think those layers need to be there for the reader. The “I” is always in the way, but we need to step back and let subjects do the talking as well. The tension between these layers is interesting. They are like the tectonic plates of nonfiction writing. When they collide, the earth cleaves, and something deeper is revealed.

I’m over at AWP writing on influence. Check out the cool graphic they’ve added. The girth of my avatar in particular! Below, an excerpt. You can read the full piece here.

To acknowledge an influence is no loss of face, surely; the elemental bones of every story have been told before. To acknowledge is not to say that we are lacking in inspiration, but, rather, to take our place among the writers who have come before and to note that we might, in turn, be of use to those who will follow. Writing is the process of stating and creating human history—the things that preoccupy us in this milieu, the homelands yearned for, the future for which we might yearn. Story is also a distraction from those mindings, a way of leaving behind concerns, hence the popularity of fantasy and science fiction, or the way that tales of far away lands are most often read by those who have never left home.