The words, “The End” apparently only exist for the purposes of lulling very small and, presumably, unimaginative children, into believing that stories should only be entertained so long as an author has control over the words. There is no other place that I have found which can lay claim to those words.
We may die, but, as pointed out so eloquently by James Ellroy in an article that appears in this week’s issue of Newsweek about the death of a girl, Lily Burk, he barely knew, we live in our words, our work, and the thoughts and memories and commitments and photographs and circumstances of the people who have known us. There is, in death, often more life than the dead could have dreamed possible.
We may come to the end of a story and know, as writers, that the unknown sometimes leads us to pause at that particular moment, allowing the characters to carry on and leave us voyeurs behind. Readers reach the last page and look away, taking fragments and associations with them, using them as advice or warning, handing bits and pieces away in reference, praise or blame.
I have been preoccupied with endings afresh, or the lack of them, as I came to the end of my treatment. I realized that this new “free” time was defined, for me, not by the ceasing of treatments, but rather the loss of a series of rituals I had come to enjoy:
My morning bike rides where I have to decide whether to take the low or the high road, the way I braced for – and twice misjudged – the approaching pavement, the preparation for the last stretches of uphill paved roads in both directions as well a the anticipation of the downhill runs, the way I had to think up some new way to announce my arrival to people who shared the sidewalk with me (to whistle? to talk over their iPods? to yell? to creep along near their ankles? to hope for psychic awareness on their part?), the exhilaration of making it each day and the inward thank god when I come across the bar blocking the escape of cars in the parking garage which was perpetually untended in those early morning hours.
The way I glanced at the clock by the empty reception desk to see how I had done in terms of speed and the daily contemplation and religious avoidance of the stack of new cookies in the waiting room (yes, they are out by 6.15 am!) and the way I experienced network news on TV, something I have never done at home.
Most of all, my curiosity about the nurse who looked after me as well as tended to the application of treatments. She works two jobs, coming in to this one early, by 6 am, and leaving by 3 to sometimes do a shift at the second. She has a home she just bought, a family of parents and siblings that gather together on occasion, a father to help her with installing a window in her garage, a dog who can no longer see her working in the garden over the raised fence she had installed, a couple of weeks back, to keep him in. She has flown in a plane just once, to go to a beach with friends after school. She doesn’t quite like NYC, but she likes the Jersey Shore. She is good at what she does, but she is terrified of my physician, Dr. Weiss, and of not having me set up to her perfect specifications before she comes in to check on me. She clips up her blond hair in a sort of casual up-do, and walks with a slight side to side step, like a skater might do out of habit, which makes her seem tentative and child-like. She bought a bike for $20 at a garage sale and they told her she only had to get the tires some air, but she hasn’t done it yet though she hopes to. She “has someone” but she never said more than that.
I wonder what her relationships are like, what she does when she goes home, whether she feels the same antipathy I did toward the resident who came in to help during the last ten days of my treatment. She seemed genuinely sorry to see me go when she said she would miss seeing me early morning. She always had a question for me, and she never sounded like it was just standard OP. She moved my hair away like it belonged to a person she knew, she averted her eyes when I drew back the covers, she smiled and in ways I cannot quite describe, made it something we were experiencing together. I miss her.
Which is how and why, I suppose, the end is not quite here. A specific time period during which I had to undergo a certain form of death, of a part of me if not my whole, came and went. And yet I remain, she remains, and we go on in each others’ lives. That period came and went and because of it I am a little less quick to own the road as it were. A little quicker to remember what blessings still exist. And even more than before, interested in ordinary stories, the ones that tell of people going about ordinary days, where nationality and culture and personal history simply illuminate interactions and imbue them with a truth that points to the ultimate insignificance of those broad-brushed colors in the scheme of human life and death whose own hues are both feather light and brilliant.